Greek tragedy: Difference between revisions
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'''[[Ancient Greece|Greek]] [[tragedy]]''' was a form of [[drama]] | '''[[Ancient Greece|Greek]] [[tragedy]]''' was a form of [[drama]] which developed in Greece, particularly in [[Attica]]. It grew out of the [[choral ode]], a public performance of an extended work of lyrical [[poetry]] and dance. To the performance of the chorus, Thespis is said to have added an actor (hypokrites) as interpreter or narrator. [[Aeschylus]] added a second actor, both of whom might play more than one part, so creating an event which might be recognized as "dramatic" in modern terms. [[Sophocles]] is said to have added the third actor. The chorus, its commentary, music and dancing continued to be important. The essence of the drama was that a tragic [[hero]] such as [[Oedipus]] or [[Orestes]] would be brought to his death or some other terrible fate through the strength of circumstances or a personal weakness. | ||
To start with, tragedies were normally composed and performed in trilogies at a religious festival in honor of [[Dionysus]]. | |||
== Characteristics of the drama == | |||
[[Aristotle]], theorising about tragedy in his ''Poetics'', considered that tragedy had a cathartic effect upon theater-goers, as they would be caught up in the emotions of the performance, and then released from it, so enabling them to leave the theater purged, in "calm of mind, all passion spent."<ref>[[John Milton|Milton]], ''Samson Agonistes'', final line</ref> He also described tragedy in terms which induced others to state the so-called laws of the three Unities: (1) Unity of place; (2) Unity of action—a single plot proceeding inexorably to its conclusion; (3) Unity of time—the action on the stage taking place over the same period of time as the historical action depicted, or at most within a 24 hour period. | |||
It was also the case that no actual violence was shown on stage. It was always reported. | |||
== The theaters == | |||
The auditoria of several Greek theaters remain visible and visitable to this day, and their acoustics can be tested. A certain amount has been deduced about the stage, though not without some controversy. The actors wore masks. | |||
== The plays and playwrights == | |||
The three great poets the words of whose plays, but not their music, have come down to us are Aeschylus, [[Sophocles]] and [[Euripides]]. Aeschylus is known to have written about eighty plays, but we have the texts of only seven, including one complete trilogy, the ''Oresteia''. | |||
Revision as of 15:24, 6 February 2016
Greek tragedy was a form of drama which developed in Greece, particularly in Attica. It grew out of the choral ode, a public performance of an extended work of lyrical poetry and dance. To the performance of the chorus, Thespis is said to have added an actor (hypokrites) as interpreter or narrator. Aeschylus added a second actor, both of whom might play more than one part, so creating an event which might be recognized as "dramatic" in modern terms. Sophocles is said to have added the third actor. The chorus, its commentary, music and dancing continued to be important. The essence of the drama was that a tragic hero such as Oedipus or Orestes would be brought to his death or some other terrible fate through the strength of circumstances or a personal weakness.
To start with, tragedies were normally composed and performed in trilogies at a religious festival in honor of Dionysus.
Characteristics of the drama
Aristotle, theorising about tragedy in his Poetics, considered that tragedy had a cathartic effect upon theater-goers, as they would be caught up in the emotions of the performance, and then released from it, so enabling them to leave the theater purged, in "calm of mind, all passion spent."[1] He also described tragedy in terms which induced others to state the so-called laws of the three Unities: (1) Unity of place; (2) Unity of action—a single plot proceeding inexorably to its conclusion; (3) Unity of time—the action on the stage taking place over the same period of time as the historical action depicted, or at most within a 24 hour period.
It was also the case that no actual violence was shown on stage. It was always reported.
The theaters
The auditoria of several Greek theaters remain visible and visitable to this day, and their acoustics can be tested. A certain amount has been deduced about the stage, though not without some controversy. The actors wore masks.
The plays and playwrights
The three great poets the words of whose plays, but not their music, have come down to us are Aeschylus, Sophocles and Euripides. Aeschylus is known to have written about eighty plays, but we have the texts of only seven, including one complete trilogy, the Oresteia.